Friday, August 7, 2020

AN ORCHESTRA OF MINORITIES

 

AN ORCHESTRA OF MINORITIES

Chigozie Obioma

Hatchet 2019

₹ 599               Pp 512

THE BALANCE OF FATE AND FREE-WILL

Of the several ways of telling a story, the detached, god-like narrator is the most popular. It gives the author the advantage of discerning the thoughts and intentions of all the characters.  Obioma uses the chi to tell the story.

The chi of the Igbos of Nigeria is very specific – and yet confusing. It could be a person’s other identity in the spiritual world, as the Igbos believe that “nothing can stand alone, there must always be another thing standing beside it”. In the limitations of western thought, it could be the guardian angel. Chinua Achebe, the Nigerian novelist, poet, professor, and critic, acknowledged as the Father of Modern African writing, wrote that “without an understanding of the nature of chi one could not begin to make sense of the Igbo world-view”.  Using the chi of the central character for narration, Obioma gives a fair idea of what it is, its ability to influence the life of its “host”, and its relation to the Almighty (Chukwu).  

Obioma, while studying in Cyprus, saw the plight of the Nigerian students – many of whom were duped by agents. His essay “Ghosts of My Student Years in North Cyprus which appeared in The Guardian (January 2016) is a sort of preview to the events described in the novel; he finds therein a sombre similarity between the “birdlime” that attracts and traps pigeons, and the “ambitious young men and women, their wings aching to fly, trapped,” some to die, some to wander aimlessly … 

And then there’s the other analogy. The central character, a poultry farmer, falls in love with a girl from an “educated” background; the girl defies her parents, comes to live with him and chances upon the wailing of the chickens when one of them is snatched by a hawk. He calls it the orchestra of minorities, the mourning of the weaker persons or communities against the onslaught of the strong. A song that he himself sings at the end of the story – himself the perpetrator and the victim. Even as his chi pleads for him at the feet of Chukwe.  

The Nickel Boys

 

THE NICKEL BOYS

by

Colson Whitehead

Hachette 2019

Pages 211 ₹ 599


A SCHOOL OF HORROR

 

This book is not for the fainthearted.

The Arthur G Dozier School for Boys in Marianna, Florida (a reformatory) was shut down in 2011 for its excesses. The survivors have a website – officialwhitehouseboys.org – and very few among us would go beyond the second or third of the blogs. Colson Whitehead recreates the school as the Nickel Academy with its “training” for conversion of delinquents into “honorable and honest men” … and the secret graveyard. The “White House” was the shed in which laws were made and implemented through steel-reinforced leather whips – both at Dozier and Nickel. The welts went beyond the skin.  

Elwood Curtis, abandoned by his parents, grew up at his grandmother’s, accepting her practical responses to segregation while being inspired by the words of Dr Martin Luther King Jr. The decision in Brown vs. Board of Education had raised hopes that “all the invisible walls” would soon come down; that someday, Richmond Hotel would be open to “blacks” to stay and eat at. At Nickel, he was known as naïve and idealistic.

Decades later, a newspaper report carries a photograph of one of the Nickel supervisors, 95 years old, and decrepit, leaning on a cane, “but his cold steel eyes gave him a shiver”; when the secret graveyard is flashed on TV, he knows: “It wasn't far off at all. Never will be.”  His wife recalls with anguish the nightmares that come to him, the ones he claimed not to remember – she took his head into her lap as he wept. She thought of how he could come out of “that place” and make something of himself, to become a man capable of loving her the way he did; the man she loved. He goes back for a reunion, and stays at the Richmond, now renamed Radisson, not realising that he was living out Elwood’s dream.

“Even in death the boys were trouble,” starts the Prologue, and the reader is drawn immediately to the skeletons unearthed by archaeology students; to the story of lives lived around segregation; and the single, innocent mistake that lands Elwood into the reformatory school; this is followed by tales of unsuccessful escape attempts and their terrible consequences; the punishments and abuses; the unlikely friendships and survivals, and then … there are faces missing at breakfast that none dared to even whisper about.

The story is woven around the dire goings-on at the Academy but the base is the myriad daily experiences of the African-American in southern US. In a soul-searching moment, Whitehead asks through one of his characters: “How do you get through if every indignity capsized you in a ditch? One learns to focus one's attention.” In the book under review as much as in his Pulitzer-prize winning novel “Underground Railroad”, (published in 2016) Whitehead tells of the horrors of slavery and the plight of their descendants – and their unending, hopeless search for freedom and justice, … and human resilience against inhumanity.


MY SON’S INHERITANCE A secret history of lynching and blood justice in India

 

MY SON’S INHERITANCE

A secret history of lynching and blood justice in India

Aparna Vaidik

Aleph book company 2020

Pages 173         ₹499

 When Shashi Tharoor calls it “Searing, thoughtful, …and profoundly moving,” one takes him at his word – and is disappointed. The publishers go on to describe the book as “provocative, disturbing”, and based on “groundbreaking explorations”, as they promise a to show that we have not been such a non-violent people as we claim to be.

 

Aparna Vaidik, a Ph.D. from JNU, (who found “history” equivalent to witnessing the virat roop of Krishna (with its myriad ramifications) in the court of Duryodhana, purportedly writes to her son about the ‘secret’ history of lynching and blood justice in India. In the prologue she asserts that our history of tolerance is one also of tolerance towards violence: “Is it our … fellow Indians,” she asks, “who treat these killings as retribution – pay-back time for these communities…?” In the context of the paragraph it is not clear whether this is a question or a suggestion. 

 

The Dalit Muslim man was assumed to be guilty in every story. Nothing could remove the paranoia of majority community. It was interesting to see how violence has been externalized, Othered and justified in the name of enacting social justice.

 

She then moves into “deeply personal” (Tharoor’s words) history. Her grandfather who converted to Arya Samaj and the story of Bharmall, an ancestor who immolated himself in protest against cow-slaughter, dominate the book.  Cow-slaughter/protection is another major topic.

The tenets of Arya Samaj are shown as having been assimilated by the grandfather – particularly in the form of challenge to the Brahminic authority and religious bigotry – “with pride and elan”.

 

A considerable portion of the book goes into showing how the Aryan and non-Aryan communities grew apart while the identification of the “Other” (the Muslim, the Christian and the Dalit) as antagonistic to the Hindu became more and more pronounced – with British policies or without. Against this background, the “Aryan identity in time became a call to arms”. The Arya Samaj, she says, offered an opportunity to participate in collective action around gauraksha; the crowding generated a sense of primordial kinship that may never have existed. This new reality was then retrospectively projected back on all the pre-existing realities dyeing them all in the colour of the present, forging Hindu and Muslim identities – creating the image of the historically violent Muslim, his excesses and insatiable lust.

There is a moment of epiphany when the author suddenly realises that her grandfather had passed on the story of Bharmall to her as a sign of passing on the parampara baton to her. What exactly this baton signifies is not explained. There is a possible explanation in what follows: she reproduces two pamphlets, the contents of which were composed by her grandfather. One on Gauraksha (“Cow-protection is our religion”) and the other on Mother Teresa of Kolkata (“Narak ka Farishta” Prophet from Hell). The absence of comments of the historian imply a message not-so-subtle to those who would take it. 

 The last chapter deals with “lynching”. A certain politician mentioned that the word originated in the ‘west”, implying that whatever was happening in India was not “lynching”. A historian would have a more informed view. In these visible instances of violence, does it matter if the myths of old have ingrained thoughts in us of violence? Or is this theme undertaken as a rebuttal to the ubiquitous claim of a non-violent predilection on the subcontinent or an explanation of modern violence in India or is it a justification?

The book moves from discussing aspects of Arya Samaj, our ancient mythology and the presence of violence. Repeated references to various non-Aryan “heroes” who submitted willingly to the onslaughts of the upper caste, to the writings Mahatma Phule (particularly of a casteless and just society), the invisibilisation of the non-Aryan tradition,  

Each act of lynching entrenches the Hindu supremacist’s sense of being a historical victim and in turn criminalises the Dalit, the Muslim or the Christian man. At the core of every lynching was the Hindu fear of the lustful Dalit or Muslim man who is after the Hindu cow and Hindu women. 

Epilogue refers to the eating habits of the author’s husband, after speaking of the “sweetest sound” made on the drying hides of animals made into drums.  His father relished the fried blood of a freshly slaughtered male goat; “kheech”; and freshly cooked/smoked goat’s kidneys that melted in the mouth.

This is your inheritance. Inheritance by definition is not always of your choosing.  But while you are tethered to it,you are no way bound by it.  You are free to choose the elements of your elements that you wish to own, to discard, to celebrate, to be indifferent to, or even to fight.  Your inheritance will acquire the meaning you give it.

But there are subtle statements and suggestions that seem to be out of alignment with “advice”.

Defining India Through Their Eyes

 

Defining India Through Their Eyes

Sonia Singh

Penguin Viking 2019

₹ 599             Pp 216

Defying Definition

 

Four women, three Bharat Ratnas and three Nobel Laureates, with two each of lawyers, economists, activists, private-sector mavericks, sportspersons and actors, and politicians – all figure in this book edited by Sonia Singh of NDTV. Sonia declares that she wanted to bring out the human side of the fifteen celebs she interviewed between July 2018 and March 2019, while ascertaining from them “the defining moments in Indian history in the 21st century”. One, therefore, searches for those promised defining moments.

Pranab Mukherjee leads the collection declaring that “defining moments in the history of a great nation like India” is difficult. With three ethnic groups, 122 languages and 1800 dialects, seven major religions …  he asks (backed by a Westphalian definition): “How can we say India is a nation state?” He was Head of State.

With reference to the “surgical strikes”, Arun Jaitley professes full confidence in “the professionalism and assessment of the armed forces” … which raises basic questions about military decisions – political or operational. Sonia does not ask them. Jaitley also says that Article 35A prevented investment in the state, implying that the ever-present fear of not-returning-home-in-one-piece was incidental. Smug with the success of the “surgical strikes”, Nirmala Sitharaman opines that “if we had taken substantive action after 26/11, terrorism probably would not have been so blatant today”. Concerned citizens have their fingers crossed.

The Dalai Lama, is the lone religious-political leader and one of the three Nobel Laureates, Amartya Sen and Kailash Satyarthi being the other two. Sen laments over “what is happening to India today” with killings based on community and for differences in ideology. He confesses, though, to optimism over humanity’s ability to reason out what, if anything, we can do about our problems. Kailash Satyarthi speaks of his discovery of slavery in Rajasthan and his reaction which became history, while Raghuram Rajan and Aruna Roy decry the secrecy in the electoral bonds. Rajan also considers the bureaucracy as a black hole where many worthwhile projects get absorbed. Nandan Nilekani, the architect of Aadhaar, says that he had complete freedom in doing his job, thanks to the leadership at that time.

Aruna Roy’s “defining moment” was when power passed to ordinary people through laws ensuring rights to information, employment and education. Aamir Khan, who reinvented himself through Satyameva Jayate and the Paani Foundation, is inspired by the courage and inner strength of people who have no power whatsoever, while Kamala Haasan (said to have been interviewed in December 2019) shifts smoothly from the reel-world to realpolitik.  

Fali Nariman says that majoritarianism is not peculiar to the BJP. Kiran Mazumdar-Shaw’s “defining moment” was in July 1991 with the economic reforms. Sania Mirza’s success, says Sonia, led to several other women’s successes, including Saina Nehwal, Mary Kom and others, but Sania paved the way.  About Sachin Tendulkar, Sonia says, “it is only fitting he became the first sports person and the youngest to receive the Bharat Ratna”.

But our search for the defining moments continues…  

MISSING IN ACTION The Prisoners Who Never Came Back

 


MISSING IN ACTION

The Prisoners Who Never Came Back

Chander Suta Dogra

Harpercollins Publishers India 2020

341 Pages                   ₹ 699

 

A THOUGHT FOR THE SOLDIERS’ FAMILIES

  

When the foreword is written by no less than an erstwhile Chief of Army Staff one realises the importance of the subject at hand. One agrees with the author, though, that "that there cannot be a last word … about our missing soldiers … until they are found, dead or alive”. She ends the book on a fond hope: The unexpected may be just around the corner.

 

That last sentence could be dismissed as journalistic flourish but it is loaded with the anxieties and hopes, and fears of several families and colleagues; and yet, the 600-odd preceding pages speak of the all-pervasive apathy, with journalistic detachment. She observes that the peace accords, such as were signed, were just the beginning of those anxieties, and of helplessness of the families against a faceless organisation. To explain it away as a professional hazard is to trivialise the country’s defence itself. As she talks about soldiers “who slipped through the cracks, never to be seen again, ” she fleshes out the statistics that the governments have bandied about over the decades; where families are sacrificed at the altar of bilateralism, and for political objectives like the recognition of Bangladesh and release of  Mujibur Rahman from Pakistan’s custody. Each story featured in the book carries its own pathos … and would raise the hackles of every concerned citizen, but the book is not about those stories.

 

It is about what the government could have done but failed to do; and what it has done now – half-heartedly. It took decades of persistent and unrelenting pressure from various corners, and judicial intervention, to accept that if a man is declared “missing” he continues to be a member of the armed forces and is therefore eligible for pay and promotions along with his colleagues. While this is a kind of “relief” to the family, the equally important aspect of getting our soldiers back is yet a far cry from ought to be. The author says that India could learn from the USA and Russia about efforts for getting their missing soldiers back. For one thing, India refuses to take it up with the International Court of Justice as it would “internationalise the issue”.  But, thanks to our fractious relationship, there is no chance of an investigation-based bilateral arrangement. So, in 2007, the Ministry of Defence (MoD) created a Committee for Monitoring Missing Defence Personnel (CMMDP) with representatives from the three services, the MEA, MHA, MoD and intelligence agencies, to co-ordinate information and forward it to agencies that could act on it. The author finds that the CMMDP, being toothless, has deteriorated into an “uninspiring desk exercise” – and wonders if it was ever meant to be effective.

 

The book has just the right mix of poignancy with matter-of-factness, sensitivity without sentimentality; and, she hopes, it will start a broad-based popular debate which should help bring those anxieties and fears to a close.

LUTYENS’ MAVERICK Ground Realities, Hard Choices And Tomorrow's India

LUTYENS’ MAVERICK

Ground Realities, Hard Choices And Tomorrow's India

by

BAIJAYANT 'JAY' PANDA

Pages 219 ₹ 500

Rupa Publications 2019


MUSINGS OF A POLITICIAN


With qualifications in Engineering and Management, Baijayant Panda worked for the corporate sector for a few years and joined politics after he had “already developed scepticism about the system.” He was a member of the Rajya Sabha in 2000 & 2006, and his second term in the Lok Sabha ends this year; then, though he was a founding member of the Biju Janata Dal he was suspended for “anti-party activities”. During this period, he has been writing articles (OPEDs mostly) on a wide range of subjects, celebrating as he says, the largest democracy the world has known while pointing out its “systemic shortcomings”.

 

Some 56 of these articles/OPEDs, published in various magazines between 2009 and 2018, find place in the book under review; the Introduction records his resentment over one of his pieces being “edited” because it didn’t agree with an editor’s opinion; hopefully, this resentment will crystallise into an assurance of such freedoms for other citizens.

One would agree with Panda that the possibility of putting together a constituent assembly of eminent men and women whose integrity is respected across the political divide, is unthinkable today – though the reasons why we agree may be different from his. But, when a person can have strong reservations about “caste-based reservations” and yet feel politically right in asserting women’s quotas; when one can speak of transparency in political funding without referring to the controversy vis-à-vis the Right to Information Act and the supposed anonymity of the donors; when one’s thoughts on the economy (including demonetisation) are so neatly aligned with the political dispensation; when mention is made of Public Sector Units and their “ambiguous objectives” while deploring the “pessimistic domestic opinion” about “stunning improvements” in the present day; when it is observed that those involved in the independence-struggle had no experience in foreign policy except Subhash Chandra Bose “who had extensive practical experience building international alliances….” one wonders.

When he discusses the presumption of guilt under the SC&ST (Prevention of Atrocities) Act he asserts, boldly, that such a presumption is equivalent to “giving up India as a democracy”, and while discussing the judgements on child marriages and the triple talaq, he hopes that the course for a uniform civil code has been set. But when he discusses religious conversions, he has a quaint observation: “If minority communities have the right to convert others, then so does the majority”. Then he suggests that vigilantism is a public response to “visible system breakdown” ignoring the possibilities of sheer majoritarian arrogance. And finally, in the Epilogue, the shocker: “…in democracies, lasting solutions only emerge from bridging differences, even if it has to wait until power is gained through less temperate means.” He is now vice-president of the BJP.

Most journalistic output is ephemeral in nature, an OPED is even more so; its limitations on length and readership discourage depth or serious intellectual forays.


THE LABYRINTH OF THE SPIRITS

 

THE LABYRINTH OF THE SPIRITS

CARLOS RUIZ ZAFÓN

ORIGINALLY IN SPANISH IN 2016

IN UK BY WEIDENFELD & NICOLSON IN 2018

Pp 805                        ₹ 699

THE DETECTIVE & THE LABYRINTH OF HUMAN RELATIONS

STANLEY COUTINHO

 

Starting with advertising in Spain and screen-writing in Los Angeles, Carlos Ruiz Zafón published his first novel in 1991. Then, between 2001 and 2016 he embarked upon a stupendous quartet called “The Cemetery of Forgotten Books” – the last novel of which is the book under review. The title has been “taken” from the work of one of the book’s characters, Victor Mataix; then another character, Daniel Sempere, takes to recording the ups-and-downs of his family during and after the civil war, in four volumes, giving the entire exercise an autobiographical air. The narrative moves from Zafón’s pen to that of the characters, and back and forth, challenging the reader keep track as he rides through the rubble of war-torn Barcelona, the corruption of post-war leaders, the love-lorn tales of writers, and solid, soul-bruising detective work. It’s a gripping tale of mind-boggling intrigue and criminal subterfuge, of passion and wanton cruelty. The slick, noir-style dialogue keeps up the steady pace as events unfold, and relationships wax and wane. An almost casual reference to Maigret (Georges Simenon) and Marlowe (Raymond Chandler) conjures up images of the detective genre at its peak … but Zafón takes the art further; far from being a mere whodunit, “The Labyrinth” transcends linear investigative strategy to the analysis of over 25 characters interacting over large time-spans, leading each other and so many others, into a mire of secret horrors – all drawn to and from an old musty Library and the Sempere & Sons bookshop.

 

“The Labyrinth” follows the characters and their idiosyncrasies from the earlier novels of the quartet: The Shadow of the Wind (2001), The Angel’s Game (2008), The Prisoner of Heaven (2011), but even as a standalone, it enjoys a labyrinthine, sinuous, tentacular grip on the reader.

 

The action starts when Barcelona is being carpet-bombed (a term that grew out of the Spanish civil war itself) and 7-year-old Alicia Gris is almost killed; around twenty years later, we see her as a secret service investigator, carrying the drug-allayed pains of the war along with a heart that could not find solace in human emotions; she is known variously as a vampire, an elegant woman, the devil, and a detective who looks at events from peculiar angles. On her last strand of tolerance of the dark world she deals in, she has decided to quit … but takes up one last case on the request of her chief. What follows is an incredibly gory hunt for a missing minister of Francoist Spain and for the author of a mysterious series of (ghost-written?) novels, leading on to the discovery of deadly conspiracies executed and aborted, of wrangled snags of Mephistophelean deception, of deaths and … a yearning for death.

 

But above all, it’s an account of the spirit of human interaction, the labyrinths that exist – and the labyrinths we create for ourselves (whether through our own deceptions or by misconstruing the behaviour of the others) – in sustaining those relationships or, more likely, shattering them.